One More Sonnet

Tag: Place

  • Now Complete

    Now Complete

    This year is now complete, finished, exposed
    to the reflective gaze of history’s view.
    This year’s open doors have now been closed:
    shut tight, sealed off, and bid farewell; adieu…
    In the finish of a year we rejoice.
    It’s fitting we take a moment to pause.
    It’s OK too, that with some pride we voice
    our achievements and tally-up our scores…
    And so ends another year; outnumbered,
    full-sum spent; used but not digested;
    completed with a cheer; disencumbered
    of journal’s jot – evermore let rested…
    . This year is done, finished; so too its might.
    . You don’t tie an new string to last year’s kite.

    Tim Grace, 28 December 2011

    To the reader: Circles circling circles; and so, years come and go – the familiar pattern repeats. Our spiralling experience of time, as repetition, turns days into days, and weeks into weeks. Without the cycling-nature of all things revolving we would have no opportunity or need to learn from experience. Without repetition the past has no relevance. When we are lost we travel in circles … spiralling forth; making use of our past.

    To the poet: “Fly yourself a brand new kite” What was the poet thinking? “With one year’s completion comes certainty; nothing can be added or subtracted… the year’s experience is fully described; saturated. For just a short while deep reflection is encouraged. In losing its current status ‘last year’ is now open to interpretation… and the rest is history”. Happy New Year!

     

    now complete now complete

     

  • Novel Opportunities

    Novel Opportunities

    Favourable conditions affording new
    and novel opportunities to grow
    the market, to expand upon the view;
    Horizons!!! – here today gone tomorrow.
    Windows that open up to the sky, to all
    prepared to venture forth, to ride the wave
    towards new shores; prepared to rise and fall
    along with the fool-hardy and the brave.
    See that which is old become new again:
    re-released, re-branded, given new guise;
    to be let loose on green pastures; fed then
    on eternal hope, to await the prize.
    . Now is the time of opportunity.
    . Beyond now … there is no certainty.

    Tim Grace, 6 December 2011

    To the reader: Nothing ventured, nothing gained… a fool and his money are easily parted. The idea of investing in tomorrow assumes a favourable future. But common-sense tells us the future is an uncertain opportunity. Its attachment to now is fragile and with time quickly adjusts to new and unpredictable circumstances. The further from now that we invest the higher is our risk, the greater is our reward. Those that play the market need to know the rules and accept the consequences.

    To the poet: This sonnet has a complex structure that leans heavily on syntax to carry its semantics. I had attended an investment seminar and been barraged with financial jargon; way beyond my understanding. The investment industry, like any other, has a deep meta-language that translates poorly into laymen terms. As a skater, I picked up the message, guessed at its meaning… and wrote a poem! These are my notes…

     

    image

  • Common Threads

    Common Threads

    I collect nuts and bolts by the roadside,
    it’s an odd assortment of random finds.
    Some are obvious and easily spied:
    they are those that shine before the rust binds
    itself to their surface. New to the road
    they have not nestled into hidden nooks,
    nor taken the hit of a heavy load,
    they retain the shape of their fresh made looks;
    in every sense new to my collection.
    As alluvial pickings they hold
    the shimmer and shine of self-selection;
    unweathered, yet to have their history told.
    . So, what of this collection can be said?
    . Nothing more true… than its a common thread.

    Tim Grace, 29 November 2011

    To the reader: Late 2011, I was seeking more from work than work could offer. Tedium was broken with a break for lunch that included a walk around the neighbouring streets. Always the tinkerer, I have an eye for nuts and bolts and this led to a surprisingly large, and quickly accrued, collection of threaded metal. An odd amusement but easily construed as metaphor: the world unwinds as road spill.

    To the poet: Hardly a great poem, but then again, it actually describes a very real and raw time in my working career; when the most stimulating part of the day was a lunchtime walk. Each piece of road-spill is a poem in itself. The shiny collectables are obvious and attractive, but as in this poem it’s through them we describe the true character of a common thread; toughened steel.

     

    common threads common threads

     

  • Constant & Endless

    Constant & Endless

    I am the universe, of all things made.
    I am the nothingness, that vast expanse.
    I am the treasury of life’s parade.
    I am the first step, I am the last dance.
    You are the timely natural consequence
    of that which occurs and comes to pass.
    You are the perfect, ideal, confluence
    of all things given to a common class.
    We are the harvest, the expectation;
    we are the whole, much greater than its parts.
    We are the wonder, the fascination;
    we are the child of Science and the Arts.
    . Together… one drop in a constant stream.
    . Together… one stitch in an endless seam.

    Tim Grace, 27 November 2011

    To the reader: A description of everything must include thought; not just the enactment of thought. Any mental configuration is a construct of the universe. To claim that anything, once thought, doesn’t exist is a fallacy. Our power to imagine does not exist outside the universe. If we imagine an omnipotent power then such a Thing exists. Any claim that the Thing does not exist is as questionable as the original figment of imagination that created the Thing. We can argue about the Thing but not of its existence … it has been thought, therefore it exists; for good or ill.

    To the poet: In providing commentary to this cluster of poems it’s obvious that at the time of writing them (in late 2011) I was conscious of the sonnet’s fourteen-line shape. There’s a regular use of four-line blocks visually similar; architectural in design. The stanzas are built like reinforced pillars preparing the way for a capstone-couplet. Some where, I recall reading, the sonnet is a poetic form that mirrors the Golden Ratio.

     

    constant & endless constant & endless

     

  • Peace Extols

    Peace Extols

    Most days come and go, not so with this one.
    This one lingers somewhat longer than most.
    This one reminds us of the good we’ve done.
    Of this ‘one day’ we neither brag nor boast.
    There’s a sombreness about this ‘one day’.
    It’s the ‘one day’ of all days when we pause
    to acknowledge the fallen and to pray
    that in their memory we recognise the cause
    that gave them their reason to sacrifice,
    so selflessly, their gold and silver themes;
    and then to give, regardless of the price,
    a new set of hopes, a new set of dreams.
    . Let this ‘one day’ bring comfort to their souls,
    . for they have earned the rest that peace extols.

    © Tim Grace, 11 November 2011

    To the reader: Sombre and respectful, as they are, collective commemorations are reassuring; an inter-generational confirmation of commitment to each others’ national interests. Often sprinkled through the calendar that ‘one day’ is loaded with patriotic symbolism. That ‘one day’ bares the burden of testimony. We are reminded of heroic deeds of self-sacrifice and strength of character; drawn to action in the face of unimaginable fear. Those that died on our behalf … we will remember them; they died in war, they rest in peace.

    To the poet: The current of a flowing river is to some extent just a mathematical calculation. Given no reason to do otherwise, a river that follows its direction without resistance or impedance will behave predictably; without much character. This sonnet begins like that… four steady sentences to begin with. But then, the river of words begin to flow. The next eight lines blend to form a single ribbon of sense – punctuated to give it an uneasy rippling; an agitation that finds stoic resolution; at end, the reassurance of peace.

     

    peace extols peace extols

     

  • I have a bike…

    I have a bike…

    I have a bike, but I rarely ride it…
    I can always find a reason not to…
    Always something else to do beside it…
    Lame contrivances that claim “I’ve got to…”
    Weak-kneed excuses that can’t be weighed-up;
    that validate avoidance; that hold back
    progress. Mere substitutes; made up
    distractions with amplified fold-back;
    with magnified pitch too loud to ignore…
    too easily attached to a should-do
    set of options that add ‘neither/nor’
    to a definitive list of could-do.
    . We put good ideas in concrete casements,
    . that’s why we keep bikes in locked-up basements.

    © Tim Grace, 19 November 2011

    To the reader: How many flat-tyred bikes are there languishing in basements? Mine is one of them. It was quite a nice mountain-bike when I bought it; a comfortable ride. With annual rapidity, the ageing bike gets a hopeful make-over. And with that yearly pilgrimage comes a wander through the local bike-shop. As the distance between purchase and repair widens the futility of my efforts becomes more pronounced. Not all is lost… I do own a very high-tech bicycle pump!

    To the poet: This sonnet is more experimental than it is successful. The double-barrelled rhymes tug at the narrative; dragging it ever closer to puzzle over poem. It doesn’t hurt to occasionally contrive a rule in the name of literary exercise. The pull of pattern over purpose is a challenge worth accepting. With the end-game tightly managed there came the need for greater emphasis on the logical flow of the meta-text.

     

    i have a bike
    i have a bike