Artobiography – the self-exposed.
Personal revelation on display:
persuasions, curiosities disclosed;
individual leanings that swing and sway.
Privacy – an open exhibition.
Voyeurs at large, a see-through medium,
en masse titillation; imposition;
pastiche motif; pretensions on parade.
A synthetic construct, superficial,
skin-deep patina, costume masquerade;
disguised reality – artificial.
. What of art that it adores expression,
. and yet, so crudely ignores discretion?

© Tim Grace, 31 March 2013

To the reader: Exhibitionism or exhibitionist – an empty distinction. The expose of self as art. The narcissist, an introspective voyeur on public display. Made naked for self-amusement. Inside-outside. Flesh-coloured drapes on see-through windows. Shock therapist using auto-simulation as creative medium; seminal concept becomes revelation. Artobiography – a crude craft on revealing canvas.

To the poet: Inspiration for this sonnet was a documentary on avant-garde art. The various vignettes portrayed a series of self-absorbed indulgences. Confusion over purpose was laid bear. A naked clambering for notoriety; easily achieved through public shock. Nothing more than a sideshow curiosity laying claim to creative space. As a writer, I can appeal to a reader’s instinct for novelty… the forbidden and perverse are easy grabs.


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