Four-legged Rort

To overcome the arrogance of thought
I must learn to draw what’s seen not known,
I must then, confront the four-legged rort
that would have my tables with all legs shown.
For as long as knowledge controls my hand
I am nothing more than a drafting pawn.
For as long as I am in thought’s command
my work will be crowded and over-drawn.
What my canvas captures is not complete:
it’s my view, my angle, my perspective;
it’s everything that needs to be, replete
with meaning, mine eyes have been selective.
. Beware the mindset, as would knowledge coax;
. of full-display, ’tis but a clever hoax.

© Tim Grace, 11 October 2012


To the reader: The conundrum of competing perspectives tickles our intellect. This we accept. In representational terms, there are plainly differences between what we see and what we know. Unhelpfully though, Shakespeare further adds an emotional dimension to our interpretative struggles. He reminds us that regardless of what makes intellectual sense our ‘heart’ speaks its own mind and through this prism creates a kaleidoscope of emotional confusions.

To the poet: “Is to know a hoax, a grand dilusion?” Certainty is no trusted companion; more like a fickle friend; an opportunist; an answer with no solution. The poet is forever tempted, for completeness sake, to achieve resolution; un-puzzle a proposition through clever wit. In poetry, and the visual arts, we learn to create a plausible perspective: true more than accurate, honest more than correct.


Four-legged Rort

Four-legged Rort

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