Life's Narrative

Life’s Narrative

Do we discover purpose, or is that
a given; that through life, we must fulfil?
To what extent are we determined, at
what point do we grip that moment still?
Is life just another conversation,
a string of thoughts? Ruminated verbiage
that connects two points upon occasion.
A life-span, that builds a virtual bridge
from here to eternity; quite a stretch.
A void, can’t be leapt in a single bound;
can’t be fathomed; a forward passing fetch,
caught on the fly – wrestled and brought to ground.
. Life’s narrative is given spin and span,
. just enough to scuttle the ‘best of’ plan.

© Tim Grace, 29 September 2014

To the reader: The ‘universal givens’ are built into the fabric of our design. Therefore, our solutions to some extent conform to a pre-determined brief. Within bounds there’s plenty of room to be creative but as nature so regularly displays, there are some basic patterns that warrant repeat: the beautiful helix, the golden ratio and fibonacci’s spiral; to name a few.

To the poet: Our purpose; a universal mystery, that asks: “Why are we here?”. Without certainty of purpose we have no option but to explore the potential of an uncertain existence. To chronicle that collective journey, the Arts provide an open ended narrative. Without apology, the Arts interpret uncertainty using imagination as its tool of choice. To search is our purpose… the mission is unclear.

Life's Narrative

Life’s Narrative
Picture Source:

Enough of Words

Enough of Words

Not all that I write is to be read, you see.
Lift your eyes from this page. Enough of words.
They talk of freedom; speak of liberty.
They are tethered, tarred and feathered. As birds,
these words are clipped; pressed into pagination.
Nothing more than flightless words, all a-flap
with instinct; pinions of agitation.
Unwitting conscripts with wings under wrap;
press-ganged, enlisted into servitude,
perched on parchment and anchored to the page;
gripped too tight, stripped of height and altitude,
flattened, compressed of colour, dressed in beige.
. Heavied with the weight of purpose words die,
. They can not sing, they can not dance; nor fly.

© Tim Grace, 14 April 2013

To the reader: The beautiful lyrics of John Lennon’s ‘Across The Universe’ relate to transcendental expression. The lyrics’ relationship to meaning is through soaring imagery not literal comprehension. The song has been crafted to fly. As an aerodynamic masterpiece the internal arrangements are light with adherence to rules that overcome gravity with blissful ease.

To the poet: John Lennon’s recollection of writing ‘Across The Universe’ is instructive in understanding the uplifting power of poetry. The song began as a grounded response to being caged; captured and contained. Through a meditative process, it seems the lyrics became cathartic; they transcended his pent-up anger and delivered instead a peaceful state of mind.  Until his next rant, at least…

Enough of Words Enough of Words
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constant & endless

Constant & Endless

I am the universe, of all things made.
I am the nothingness, that vast expanse.
I am the treasury of life’s parade.
I am the first step, I am the last dance.
You are the timely natural consequence
of that which occurs and comes to pass.
You are the perfect, ideal, confluence
of all things given to a common class.
We are the harvest, the expectation;
we are the whole, much greater than its parts.
We are the wonder, the fascination;
we are the child of Science and the Arts.
. Together… one drop in a constant stream.
. Together… one stitch in an endless seam.

Tim Grace, 27 November 2011

To the reader: A description of everything must include thought; not just the enactment of thought. Any mental configuration is a construct of the universe. To claim that anything, once thought, doesn’t exist is a fallacy. Our power to imagine does not exist outside the universe. If we imagine an omnipotent power then such a Thing exists. Any claim that the Thing does not exist is as questionable as the original figment of imagination that created the Thing. We can argue about the Thing but not of its existence … it has been thought, therefore it exists; for good or ill.

To the poet: In providing commentary to this cluster of poems it’s obvious that at the time of writing them (in late 2011) I was conscious of the sonnet’s fourteen-line shape. There’s a regular use of four-line blocks visually similar; architectural in design. The stanzas are built like reinforced pillars preparing the way for a capstone-couplet. Some where, I recall reading, the sonnet is a poetic form that mirrors the Golden Ratio.


constant & endless constant & endless