Category: writing

  • Things of Interest

    Things of Interest

    Things, nameless remnants, objects in a drawer;
    trinkets that tumble out of time and place.
    Garage gadgets, artefacts of war;
    unidentified objects, out of space,
    out of reason, out of function and fit:
    oddities, obscurities, curios
    long since departed from inventor’s wit;
    having lost the memory of ‘who knows’.
    Relics in a box, contents in a trunk,
    a job-lot of stuff, a deceased estate
    to be sold-off cheap, to be bought as junk:
    what’s good for nothing makes a paper weight.
    . Nothing more nameless than a nameless thing.
    . All deserve a title – be it subject or king.

    © Tim Grace, 17 February 2013


    To the reader: I discovered an eccentric great uncle: the bird man. He was featured in a national display of urban characters known for having an inventive wit related to ‘things’. Uncle Henry Grace, was a bird-listener. He rode the country-side listening to warbles. Fittingly, he then invented his own form of warble-notation to capture distinctive ‘calls of the bush’. Then, he would create tin-whistles that imitated the various cheeps and chirps. A century later they are ‘things’ of interest; curios.

    To the poet: In its first-draft this sonnet began with: ‘Objectification, the stuff of things’… borrowed (I remember) from the more contentious notion of ‘Subjectification, the sport of kings’. Quite a nice beginning, but the rest of the sonnet was hopelessly lost in trivial detail. And so, the long task of re-writing began. A complete upheaval takes some effort. Holding on to the essence, discarding all else … that’s the thing.


    Things of Interest
    Things of Interest
    Picture Source:
    http://trove.nla.gov.au/work/36318721?q=henry+grace+whistles&l-availability=y&l-australian=y&c=picture&versionId=46737536
  • That Final Breath

    That Final Breath

    Sadly, one certainty of life is death.
    And so, it is for all of us to end.
    Somewhere, there awaits our final breath.
    Inhaled, not for exchange, but to expend.
    This breath, of all breaths, is to be remorsed.
    It’s the breath most wasted and least returned.
    Consumed for the purpose of life’s exhaust;
    of continuation, it’s least concerned.
    Somewhere, then, this final breath sits in wait…
    to be swallowed deep but not ingested.
    This breath has destiny; a half-used fate;
    incomplete, resolute, uncontested.
    . But for one-breath, we have life’s abundance.
    . It’s through this-breath, that we meet redundance.

    © Tim Grace, 3 February 2013


    To the reader: Not breathless, simply exhausted of life. It’s the last breath taken and not returned. Delivers a terminal solution. The act of living is respiration. Recycled air; a generous spirit. Acts of goodness get taken for granted. We begin and end our lives with a gasp. Air is a rich and abundant resource. Not a trivial keep-worthy trinket. Not to be held for longer than needed. Its living purpose is spent and renewed.

    To the poet: In ‘to the reader’ I collected together eleven sentences loosely connected to the topic of breath. Each sentence is ten-syllables long and follows on from the previous; but it’s not poetry. The difference has something to do with a missing thread of consciousness. The thread of poetry is tied by the poet and un-ravelled by the reader; one gives the other receives … together we breathe the spirit of art.


    That Final Breath
    That Final Breath
    Picture Source:
    http://youtu.be/s7HHyAN60qI
  • Persistent Wind

    Persistent Wind

    A persistent wind, agitating dust;
    careless intruder, unwelcome entry.
    Full of bravado, a blustering gust;
    unsettling a layer of certainty.
    A persistent wind, feeding fuel to fire;
    craving attention and demanding note.
    Temperamental breeze, a funeral pyre;
    no whimsy whistle works as antidote.
    A persistent wind, a buffering blow;
    cuts across the bow and ruffles feathers.
    Strips a tree of foliage and Autumn’s glow;
    this resistant fiend smites all endeavours.
    . An ill-wind, the likes we all must suffer;
    . should be endured with brunt or buffer.

    © Tim Grace, 17 January 2013


    To the reader: A cutting breeze strips a day of comfort. Each of the senses responds with agitation. In defence, we can either face the challenge or turn our back. To face the challenge requires head-on resistance; a regardless attitude that stiffens to the breeze. Turning-the-back is an obstinate show of defiance. Should we brunt or buffer? Somewhere between passive and aggressive there’s an appropriate response… ‘the answer is blowing in the wind’.

    To the poet: It wasn’t until I began writing ‘to the reader’ that I realised I had written a sonnet describing Bob Dylan… a persistent wind. He arrived in the early 1960s on a gust of rising social awareness; and decades-on, he’s still shaking trees and rustling leaves. Now identified, I re-read the sonnet with the brusk-breeze personified; I have faced the wind.


    Persistent Wind Persistent Wind
    Picture Source:
    http://youtu.be/oqEcFUW9Ai4
  • Today I’m late

    Today I’m late

    Usually, one of the early risers;
    from sun-up, noting texture of the day.
    Mostly ready, for the day’s surprises;
    well-prepared, well-postured, for come what may.
    But today I’m late, I’ve lost advantage;
    just one of many, recently arrived.
    Left to share a script on a crowded stage;
    just one of the collective, so contrived.
    Late… my expansive day has been confined.
    I’m now a post-script that time has stolen;
    an after-thought, yet to be assigned.
    I’m a conscript, a left-over colon.
    . With an early start, you design your day,
    . Leave it too late, and to a script you’ll play.

    © Tim Grace, 1 January 2013


    To the reader: As routine activities become more general they acquire a network of dependencies. My morning routine is like that. It might appear that I’m up early and out the door to do some writing. Not so, it seems. Small changes to parts of my morning mission can torpedo the enterprise. With a small series of delays, I find myself cornered in a crowded café. No words can describe my…

    To the poet: Writing about writing is an introspective task; somewhat therapeutic, slightly poignant. A metacognitive indulgence that’s occasionally excused by a patient reader; one with a forgiving nature. Unpacking this sonnet, reveals its block-like construction. Inevitably, piece-by-piece, the puzzle is connected; rules are followed and so it lazily meets its final couplet… late to arrive at its conclusion.


    Today I'm Late
    Today I’m Late
  • Trigger Point

    Trigger Point

    It’s claimed ‘the gun is innocent’ … guiltless;
    absolved of all responsibility.
    A much maligned artefact, mere witness
    to bloodshed … has no culpability.
    Left then to wonder, left in state of stun.
    ‘Pursuit of happiness … justice and peace’
    Doubt’s made a target of the smoking gun.
    Trigger-point stand-off with hair-pin release.
    Struggling to make sense, tense with disbelief.
    Broken logic, broken hearts, broken dreams,
    shattered confidence; consequence is grief.
    To bear arms, not as simple as it seems.
    . Nothing gained by force is a remedy.
    . What worth is a good man with enmity?

    © Tim Grace, 26 December 2012


    To the reader: What relationship would prosper on the promulgation of fear and suspicion? Not one that values the pursuit of happiness. By nature, the trigger-happy fool is impulsive and irresponsible; prone to late apology; an after-thought. The perceived need to self-protect describes an individualistic ideology where social order is mistrusted; it’s the breeding ground for gun-toting rhetoric and double-barrelled nonsense.

    To the poet: With this sonnet my aim was broad. I took a scatter-gun approach to the target. A rat-a-tat list of ideas that sprayed shrapnel far and wide. On the rambling range, I used a metaphoric weapon that had no respect for its victim. Collateral damage was an unfortunate consequence, tolerated as expected impact. The late volta (the swivel at line 12) took final aim… in case the point was missed.


    Trigger Point Trigger Point
    Picture Source:
    http://youtu.be/Zzxwr4tdohw
  • I Love You

    I Love You

    From love, love borrows that which love has lent.
    When love says: “I love you” love says the same.
    And so love is a circular argument.
    It’s a roundabout affair; claim for claim.
    “Good night” love says, the same is love’s reply.
    “Sweet dreams” love says, anointed with a kiss.
    “Sleep tight” love says, so starts a lullaby.
    When love says “I’m here” there’s nothing amiss;
    Love’s partner is love, together complete.
    It’s through confirmation that love endures.
    “I love you” said once, deserves repeat.
    “I love you” and “I love you” reassures.
    . Upon love’s roundabout, spins love’s intent,
    . With each return, there rides love’s sentiment.

    © Tim Grace, 18 November 2012


    To the reader: The structure of the heart has it working two-parts as one. The circulation of a life-force makes it the ideal metaphor for ‘love-central’. With responsive rhythm, the heart renews and refreshes. It’s no coincidence then, that living and loving are such united motivations. Together they fulfil our physical and emotional needs; one fuels, the other fires.

    To the poet: Sentiment is an ink that never fully dries. Its wet nature bleeds and smudges at the slightest touch. To control the flow of sentiment takes the skill of a water-colourist. The risk of over-working is ever-present; accident and incident are heavy handed partners. Sentiment is a translucent medium that washes over page and canvas with diffusive effect; a touch too much and recognition is lost.


    I Love You I Love You
    Picture Source:
    http://youtu.be/oyCgQtCXXn8